Monday, April 16, 2012

Public service denouncements

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When a radio or TV station has a time slot that no advertiser wants to buy -- typically in the "backside of the clock" (very early morning) or Sunday -- it runs what are called public service announcements, or PSAs. I sometimes played them during commercial breaks when I worked, in desperation, as a radio announcer for a Santa Fe FM station.

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Some PSAs are created as a public service for charities by ad agencies, but often are produced by the government. I happened to have the radio on in my car last Sunday when they ran a block of PSAs. One in particular sticks in my mind.

It opened with a "cute" conversation between a man and his son. That was followed by an announcer reading a script that concluded with something like, "Talk to your kids. It's important to them. If you'd like more information on communicating with your children, call this toll-free number ... ."

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Did anyone who had anything to do with this PSA take it seriously? Are there actually people in the government who believe that some jackass will hear it, pull over to the side of the road, and write down the phone number to call for a pamphlet with tips about raising kids?

"Oh my God! I haven't talked with Mikey since ... let's see ... I've been away on his past five birthdays, but it seems like I asked him if he'd fetch the newspaper from the front drive only a few months ago. No, wait, that was the dog. But there was that day we went to the garage workshop and I showed Mikey how to work the power saw, uh, that was Sally come to think of it. 

"Yeah, Mikey's always had trouble communicating, ever since I pushed his head in the bowl of Quaker Oats when he was two years old and mouthing off. Just think, he's now 25! They sure grow up fast these days.

"Anyway, yeah, it's time we had a good mano a mano talk. What'd I do with that phone number, do you suppose they have operators standing by now? I mean, it's Sunday, after all. I'll call for information Monday, they even said it's free, and it's from the U.S. Department of Health, Children's Services, Everybody's Services, Human Rights, Environmental Awareness and Parental Upbringing. Is this a great country or what? Oh, damn it, I'm in a six-day meeting starting Monday, well, next Sunday then."

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This morning it was a public service ad on the back of a bus: "Don't shake your baby!" And, you know, feed it and like that. Or if you shake your baby and forget feeding time, at least have a good talk while you're shaking and forgetting. It's never too early to start developing good parenting skills.

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Saturday, April 14, 2012

London university to have Sharia Zone

In rapidly Islamizing London, the Muslim tail wags the dog.

Sayeth the Telegraph:
Prof Malcolm Gillies of London Metropolitan University said he wants to create alcohol free areas on campus out of “cultural sensitivity”. About a fifth of students at the university come from Muslim families – many of them young women from traditional homes.

For many of them, the drinking culture among students marred rather than heightened their student experience, he said.
Prof Gillies, an eminent Australian music scholar, said that he was consulting with staff and students about creating alcohol-free areas on the university’s two campuses as part of a major redesign.
The Muslim students whose experience was "marred" by having to share space with alcohol consumers could simply have not gone to the drinking holes with the infidels. But that isn't enough; followers of The Prophet do not wish to sink a glass of firewater, so busybody "Prof Gillies" is determined to carve out a part of the campus where their tender souls need never encounter a feature of British life that has been around since, oh, Julius Caesar's soldiers cursed the cold and rainy northern climate where they'd been sent.

Why stop with alcohol-free zones? I'm sure there are many other facets of London student life that sensitive Muslims take exception to. The best answer might be to have a walled-off Dhimmi Zone, in counterpoint to the Sharia Zone, with separate classes, buildings, student cafeterias, etc. And, naturally, separate drinking fountains.

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Thursday, April 12, 2012

A Dangerous Method

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Since most movies are made these days for adolescents of all ages, we must be grateful for the few outliers that try for something more ambitious. A Dangerous Method is one such; and while its reach exceeds its grasp, we can be thankful for what we have in this drama about Carl Jung, Sigmund Freud and Sabina Spielrein, a young patient of Jung's who undergoes his talking cure, becomes his mistress and eventually his colleague.

When Spielrein (Keira Knightly) shows up at the Swiss clinic where Jung (Michael Fassbender) works, she is all grotesque gestures and defiance. The psychoanalytic relationship begins developing sexual undercurrents, a hazard of the profession -- especially in those days of the early 20th century when Jung was still Freud's disciple and the id was always prancing around.

It would not, perhaps, be correct to say that Jung cures Spielrein. Their lovemaking is masochistic (on her part -- it's not clear what satisfaction Jung gets). The film is no more explicit about the kinky side of their affair than it needs to be, and at least some of the time there's a genuine erotic charge that enables us to believe we are in deep waters psychologically.

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But Jung is married to the English aristocrat Emma (Sarah Gadon), a pretty but perhaps overrefined waif, and his super-ego demands a break. Spielrein is devastated but determined to go her own way as a psychoanalyst in training, and eventually gravitates toward Freud in Vienna.

It's an awkward dramatic transition, and the movie begins losing steam there. Jung and Freud (Viggo Mortensen) dominate the screen for a while, but their growing split over the nature of the unconscious is spelled out heavy handedly and unconvincingly. There are hints of Jung's idea of the unconscious as a mysterious, supra-rational source of spiritual power, but I'm not sure that a viewer unfamiliar with the psychological history would get a clear picture of what all the carry-on between the two was about.

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A Dangerous Method was directed by David Cronenberg, from a script by the English playwright Christopher Hampton. I don't think I ever saw any of Cronenberg's films before, probably because I got the impression that he goes in for the sensational and shocking. His direction here is a mixed bag. Many shots are visually impressive and apt for the atmosphere he wants. He also seems to have a sound instinct for letting a scene play for just the right amount of time, never dragging anything out once its point is made.

As an actor's director, he's less convincing. I don't know what to make of Fassbender: he plays Jung as stolid and reserved. Freudian analysts were supposed to "disappear" as far as the patient was concerned, encouraging the patient to project emotions and conflicts onto him and thus bring them to light. So Fassbender's portrayal may be authentic, but it's rarely compelling to watch.

Mortensen gives a strangely one-note performance as Freud, despite having screen presence to spare. It feels like Cronenberg didn't know what to do with him. Except, ridiculously, to have him smoking a cigar every minute he's in front of the camera.

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Keira Knightly gives rise to strongly divided opinion. From what I've seen she is incapable of giving a dull performance, but I understand what people mean when they say she is technique-bound. She has great acting instincts and deploys them cunningly, but it's hard not to be conscious you're watching acting. For this role, that is no hindrance because she plays a self-dramatizing woman, and rivetingly.

There are oddities about Dangerous. Was this a low-budget job? The computer visual effects are poor, the actors outlined almost like cartoon characters against an obviously artificial background in many of the exterior shots. When the boat carrying Jung and Freud to the United States enters New York harbor, the Manhattan skyline looks suspiciously like the present-day one minus a few prominent skyscrapers.

And what's with having Sabina and Emma constantly wearing lacy white dresses? If it's some kind of symbolism, it makes no sense. For Emma, the "correct" and presumably "repressed" wife, it might be appropriate, albeit crude italicizing. But Sabina is supposed to embody the allure of the dangerous.

I don't mean to harp on flaws, though. This is an intelligent film mixing sex and ideas, with that rarity today, a literate script. It's especially recommendable to anyone interested in the early days of psychoanalysis.

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Friday, April 06, 2012

Wilson Van Dusen (2): Entering Reality

A few postings ago I talked about psychologist Wilson Van Dusen's phenomenological observations of madness, which he had many opportunities to see as a therapist in a mental hospital. It would do his explorations a sharp injustice to suggest that his version of depth psychology was centered on pathology. Van Dusen concluded that the "natural depth in man" (after which he titled the book under discussion) was the path to spiritual experience.
In a mystical experience the limited self is opened up, revealing a beyond with a host of new meanings. In mystical experience is the ultimate that the individual can discover. Though it has a considerable range of depths, there is no higher, no deeper, no greater experience than what is found in the surprising union of the individual with his fundamental source.
He acknowledges hesitation writing about this kind of experience, partly for the usual reason that words for normal experience are inadequate to transcendental consciousness. He's also acutely aware that "we touch on realms that are normally considered religious. Some grow deaf and irritated at the mere mention of this. Religion is a terrible baggage of nonsense for them. To them it looks like weak-minded people's wishful thinking."

I know what he means: when I write a post about psychical research I can too easily picture stimulating the gag reflex of some readers. It is so easy for the ignorant to associate the subject with spooky ghost stories, magic rings, spoon benders, storefront fortune tellers, etc. that I feel the need to write a lawyer-like disclaimer -- dead boring.

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Undeterred, Van Dusen plunges on.

How do you open to mystical experience? Through ordinary experience -- but pure, unmediated experience, he says. (Zen Buddhism has the same goal.)
In some real ways [ordinary experience] is the most profound of all the possible mystical experiences though it is rarely appreciated as such. The problem is that we are too used it. ... What is missing is amazement at the mystery of ordinary experience.
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Suppose you had just this moment been born as a full-fledged adult, with your present mind and understanding. You would be absolutely stunned at the things and people around you. Most of the day would be taken up with "ohs" and "ahs" as you went around feeling things. It would be a frightfully impressive and awesome mystical experience. You would be stunned by the beauty of simple things such as the graceful form of plants. This is one of the hallmarks of the mystical experience, to find things fantastically beautiful and good just as they are.
He might have been remembering Emerson's observation: "If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile."

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For another level of mystical experience, Van Dusen adopts the word satori from Zen, probably hoping to avoid language weighted with theology. The expression satori was relatively unknown in English at the time he wrote in the mid-1970s, although it is common enough now that I can get away with, "I sat down hoping for a novel experience, but all I could come up with was a short satori."

As a description of the indescribable, Van Dusen's is one of the best modern examples I know of:
The way into satori is quite clear. It is along the lines of the lower levels of mystical experience itself. Instead of departing from reality, the individual enters into it more fully. ... There is a growing feeling of Oneness. This Oneness is alive, real, and immediately present. There may or may not be a feeling that one is dying or dissolving. There is forgetfulness of self. ...
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All personal values are suddenly shattered. There is only God. The One and Only then shows itself through all the levels of creation. With painful love the One chooses to create Itself into the individual who gradually awakens again as a person. There are secret understandings exchanged between the One and the individual.
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The stunned individual gradually returns again to personal awareness. It is not uncommon for the individual to be dreadfully disappointed at finding himself alive again in the ordinary world.
You got a problem with that?  Well, in glum moods (i.e., most of the time) so do I.

Who wouldn't love to "find things fantastically beautiful and good just as they are"? I'm not trying to be a smart-ass, but what if "things just as they are" is the pain of cancer or a bone crushing blow? Can you find beauty in the moment when all you experience physically is pain? The Stoics believed the greatest good was to be able to rise above anything, conquer one's fears and exert self-control, but they never called it fantastically beautiful.

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And of course there is the age-old question, which not even the most high-minded spiritual teaching answers for me: how can God, the ultimate Good, allow the horrors we read about in the news every day? They may be unreal once you are an enlightened guru; in Hindu terms, all suffering may be just part of lila, God's play. But it's hard for us poor sods to get the joke.

As Pliny the Elder said, "Young boys throw stones at frogs in jest; but the frogs die in earnest."

It may be all we can do now is keep faith that we will grow in spirit, someday no longer to be the spiritual children we are now. And not throw stones at frogs in jest.

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Wednesday, April 04, 2012

Laboring under a misconception

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Your tax dollars at work

The Daily Caller reports that the U.S. Department of Labor has installed in the elevators of its Washington headquarters (and, at a guess, its satellite offices elsewhere) a poster showing Obama's Labor Secretary Hilda Solis marching alongside the inevitable reverends-without-a-church Jesse "Shakedown" Jackson and Al "Tawana" Sharpton.
The photo depicts Solis acting as an emissary of the Obama administration protesting against Alabama’s strict new law combating illegal immigration. Solis has her arms locked with Sharpton, and Jackson is a few feet away. The poster also carries a message for federal government employees — who are traditionally expected to be apolitical in the performance of their duties.
To put it another way, a U.S. government agency's head is acting as a role model encouraging federal employees to march in support of illegal immigration.

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In theory government agencies are servants of the citizens who pay their salaries, not a politicized shadow army. That was the idea back in the days of the Republic, prior to the present Empire.

No drug is as addictive as power. The dosage must continually be augmented. So it has been with federal bureaucracies. Some of them were started generations ago with good intentions, such as protecting small farmers from price gouging by monopoly railroads. But once the power drug passes the blood-brain barrier, which happens quickly and easily, it takes over. Eventually the agency becomes a hypertrophied super-elephant responsible to no one but the politicians who appoint its Grand Vizier and oversee its budget.
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What is this Department of Labor?

As of 2009, it had 16,848 "full-time equivalent employees" according to its own statistics. Its mission: "To foster, promote, and develop the welfare of the wage earners, job seekers, and retirees of the United States; improve working conditions; advance opportunities for profitable employment; and assure work-related benefits and rights."
  
Apparently the agency head sees her involvement in protest marches against state laws preventing illegal immigration as "foster[ing], promot[ing], and develop[ing] the welfare of wage earners."
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What else do those 16,848 civil "servants" do to pass the time? Again, according to the Labor Department, they are involved with the following (when not marching for illegal immigration):

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The meaning and importance of most of these functions is obvious ... to a bureaucrat. A few might cause puzzlement at first glance, although the Department is quick to explain them via links:

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The Department of Labor (DOL) is strongly committed to the well-being of the Hispanic American workforce. The following list highlights some of the Department's Spanish resources. This list is intended for English-speaking audiences who are looking for information in Spanish about DOL missions to share with the Hispanic community. Please contact the agencies or visit their Web pages for more information.

There you go. The DOL is there to "foster, promote, and develop the welfare of the wage earners." But it's (especially) "strongly committed to the well-being of the Hispanic American workforce." Not that they're overdoing it, mark you; probably no more than four or five thousand of the 16,000 and whatever DOL employees are toiling to provide "English-speaking audiences who are looking for information in Spanish about DOL missions to share with the Hispanic community."
The Immigration and Nationality Act (INA)
The Immigration and Nationality Act (INA) sets forth the conditions for the temporary and permanent employment of aliens in the United States and includes provisions that address employment eligibility and employment verification. These provisions apply to all employers.
As part of this noble effort:
Documents and Forms - Links to the forms needed to obtain foreign labor certification under various programs, including the Application for H-1B and H-1B1 Nonimmigrants (form ETA-9035), the Application for Permanent Employment Certification (form ETA-9089), the Application for Alien Employment Certification (form ETA-750A), and Part B of this application: Statement of Qualifications of the Alien (form ETA-750B), and the Application for Alien Employment Certification for Agricultural services (form ETA-790).
The Daily Caller story says of this taxpayer- and loan-funded department:
A Labor Department spokeswoman did not respond to The Daily Caller’s request for comment on whether Solis is encouraging federal workers to use their positions to promote a political agenda. Even so, an official sign describing the posters’ purpose indicates that may be the case.

“These posters help remember history, shine a light on the contributions of employees, and celebrate accomplishments,” the sign reads. “But more than that, they help spark a conversation about the impact and importance of our work.”
If I can help spark a conversation about the "impact" of your work, consider this posting my contribution.

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Monday, April 02, 2012

Manufacturing the news

I had no intention of blogging the smallest squeak about the Trayvon Martin story. I mostly avoid political posts these days because I'm weary of writing variations on subjects I've already examined many times. But today I take time out from my time out, because this -- while it has been posted elsewhere -- must be given the widest possible circulation.

Lawrence Auster outlines the facts:

When NBC News played the audio of the 911 call George Zimmerman made prior to the confrontation that resulted in the death Travyon Martin, this is what they played:

Zimmerman: This guy looks like he's up to no good. He looks black. ...

But the audio played by NBC, though it seemed like "fact" (because it was an audio, and isn't audio true?) was false. Here is the transcript of the actual audio of the 911 call:

Zimmerman: This guy looks like he's up to no good. Or he's on drugs or something. It's raining and he's just walking around, looking about.

Dispatcher: OK, and this guy--is he black, white or Hispanic?

Zimmerman: He looks black.

Got it? If this is true -- nobody seems to have denied it -- NBC deliberately edited the recording to make it sound as though Zimmerman believed Martin was up to no good solely because of his race.

The Left-controlled news media have still further debased themselves. This outrage goes leagues beyond their typical slanted news, selective reporting, and lack of fact checking:

A major network has falsified evidence to accord with its anti-white agenda. That's right, NBC forged a recording.

Stalinist-type mainstream media are now a fact of American life. 

Any further comment is superfluous.

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